Wednesday, August 28, 2013
It ended up so bad that my Mom and I were laughing hysterically and Mom told me she'd buy me a new dress form as an early Christmas gift. Here is the full story:
Thursday, August 22, 2013
So I bought some of the daiya cheddar cheese that happens to not be cheese. I've had bad experiences in the taste department with non cheeses before. A lot of the ones many people say are good are for the lactose intolerant - not the no dairy whatsoever community. Even if it says its almond cheese or soy cheese, it often has milk proteins in it still. I cannot have them. At all.
This not-cheese said it doesn't have any dairy or corn. Woohoo! Perfect for me. I figured giving it a try couldn't hurt. I sampled a bit today and...it tastes like cheddar flavoring and not like real cheese. But it did taste decent enough to attempt to make my version of nachos.
I put some black bean chips on a plate, sprinkled the not-cheese on top, and put it in the microwave for a little over a minute. It smelled...burnt. But it wasn't. It tastes sort of like cheddar flavored Velveeta. Not as good as real cheese but it might be a great alternative to all those recipes that call for cheese when I need it.
In related news this article is excellent for anyone who would like to know more on life threatening allergies. My dairy isn't life threatening - yet- although it is debilitating (I will be out of it for three days). My tomato and my buckwheat allergies are life threatening. Both have sent me to the ER more than once. Yes, those of us who have allergies - or have loved ones that have allergies- tend to be a bit militant about it. It's for a very good reason. The article explains some of those reasons well but it comes down to this; many people believe that food allergies aren't that serious. That you are just "making it up" or that you simply are a "picky eater" (I got that one a LOT growing up).
Because of people not taking food allergies seriously -as a life threatening illness- most of us who do suffer from food allergies become very defensive. Food is important in every culture and most cultures have food served at various holidays and other events. Food is the stuffs of society - because of that, many of us that cannot eat what is served often feel that we are "left out" of culturally important events. For Thanksgiving, for example, I need to bring my own turkey, my own stuffing, and whatever veggies I want because I can't eat the turkey that was basted in butter, the stuffing that has cornmeal, or any of the veggies that are covered in butter. This is not my choice - unlike with vegetarianism- but it would make my life - and many other food allergy sufferers lives- so much easier if people would make a list of every ingredient they put into a dish that they intend to share with others. I don't need to know the amount or the order, just what is in the dish. Even if I can't eat the dish, I will be thankful for someone taking the extra minute to help me make that informed decision.
Sunday, August 18, 2013
For this challenge, I used a tablecloth I found at my favorite thrift store. The tablecloth is a light green/gold damask - 60% cotton/ 40% "many stars"- and oval. Given the shape, I thought it would work well for a late 15th C Florentine giornea. The giornea being the loose fitting overgown that you see in many 1490's paintings. A robe, by the English definition, is any loose fitted outer garment used in ceremonies or an elaborate evening dress. The giornea appears to fit both in a way given that you normally see it being worn by ladies who are participating in some sort of procession.
The first thing I did was mark where the center upper back should be. I then measured out 16" (8" on either side of the center green pin you see in the photo) and from there measured down 54" for the sides. Because of the curve of the tablecloth, the giornea was going to have a train no matter what. So, I just made sure the sides of the back piece were about an inch above the floor on me.
The Challenge: #17 Robes and Robings
Fabric: Cotton/Poly damask tablecloth
Pattern: My own again! Hence the piecing... ;-)
Year: 1490's Florence
Notions: Cotton thread with a poly core
How historically accurate is it? On a scale of 1 to 10 (ten being last week where everything was hand sewn/hand embroidered and one being one of those Marie Antoinette Renaissance Steampunk gowns we all love to giggle about on ebay) I give it a 6. The cut is correct, piecing is period, and the damask pattern is correct as is the color of the fabric. However it is machine sewn and it does have "many star" fibers in it so that takes away a few points.
Hours to complete: 1 hour. Really, the hard part was getting the measurements right!
First worn: This weekend with my nephews, sister in law, and brother at the Renn Faire hopefully.
Total cost: $3.90
Edit: I've added some photos of the complete outfit. The skirt isn't nearly as full as I would like but that's because I was using a tablecloth and not a large amount of fabric. Still, for a grand total of $7.80, the entire outfit isn't that bad. The ribbon lacing and the lining were all stash.
My new curtains. The fabric I used is available up on spoonflower and is based upon an extant 15th C print. Not that it had hot pink fleur de lis in it or anything like that. ;-) They are very simple, as you can see, but I like them. They are lined in light blocking fabric so that anyone driving by can't see shapes moving about. Really, I just love that I finally can take down the old yellow curtains and put these up. Gotta love the hot pink beading around the black uncut cord.
Friday, August 16, 2013
My Dad smokes cigars. This means he ends up with some pretty cool looking cigar boxes which he often offers to me to play with. This one I thought was really cool and could work nicely for a jewelry box. I did add a mirror to the inside but it's lopsided. Hint - do not use too much glue! I'm going to try hack away at the glue to see if I can reposition the mirror. If not, oh well, it's for me and not for anyone else.
Today, I came across some neat adhesive fabric paper for scrapbooking at Joanns. It was on sale. The fabric inside was all rather shabby chic but cute. I thought that, given that it was on sale and adhesive and fabric, it might work well. (no glue!)
This was after the first layer of sticker fabric. You can still see the writing on the box but with the patchwork look I had in mind, this wasn't going to be an issue for long. I traced the box on the back of the fabric, cut out the piece with just enough overlap to cover the lid. I cut the front so I could just flip a piece of the fabric up to allow for the lock.
Patchwork complete! I had fun cutting out the shapes. :-) I wanted some more detail on the box so I went to my scrap pile of cool trims I just don't have the heart to throw away. In it was a bit of lace. One the adhesive paper cover was a cute ribbon I ripped off of it.
This is what the box look like now. :-) I'm rather pleased with it. I just glued the lace and ribbon on -far more carefully than the mirror- and it looks like a very girly jewelry box now and not like a cigar box. Yay!
Thursday, August 15, 2013
My old robe was pink fleece with blue stars and thanks to Simplicity pattern 5931. It was always...big. Way too big since I sewed it up, I think, 11 years ago? Maybe 12. It was a while ago and back when I really had only been sewing for a couple of years. It was one of the very few modern patterns I did back then. Oh well. It worked and I loved it but...my sewing has come along a LOT since then and so have my tastes in clothing. ;-)
This new strawberry printed fleece robe is my own pattern. It's pretty much a rectangle with curves for the waist, gores on the sides, and pockets! I used pinking shears for around the collar to give it more finished look - since it's fleece, fraying isn't an issue. I love the way the top of the robe looks on but the bottom of the robe probably could have used larger gores. Oh well. It works and maybe this one will last another decade!
I know I should be working on the #17 Robe & Robings one but I love the idea of recycling fabric. I was considering just finally getting off my duff and remaking my first renn gown into something more...renn? But I saw these at the thrift store the other day and they need to be a 1490's Florentine. The pink rectangular tablecloth will be the dress and the pale green oval tablecloth will be pieced into a giornea (that big sideless over gown thing). They are both mostly cotton with some dead dino thrown in for good measure but look at those colors! And the designs! And, for $3.90 each, it's hard to pass up on a full Italian Renaissance outfit for under $10.
I saw these two blouses at the thrift store the other day. They are both typical nylon velvet but look at the cut out velvet on the black one!
How could I resist that? So I picked up figuring I could do *something* with it when I saw the purple velvet shirt in the same color as the highlights on the black velvet shirt. Both were XL, making them great for remodeling and leaving me some room.
So, what do y'all think? Like it? Hate it? Let me know!
Monday, August 12, 2013
The Challenge: Seperates
Pattern: Based upon extant high necked smocks a la Janet Arnold
Year: 16th Century and early 17th Century, really. The embroidery is from 1526 but was a common pattern throughout the 16th Century.
Notions: silk thread, linen thread
How historically accurate is it? I doubt it could be more H/A without time traveling back, really. I suppose it could use a bit more embroidery but the point was to show that an embroidered, accurate smock was possible in 2 weeks.
Hours to complete: 30 very long hours
First worn: Probably tomorrow. :-)
Total cost: I think I got the linen on sale for $5 a yard and the silk was $5...and the linen thread was $7 so about $32 unless you want to count the beeswax used on the linen thread then it's $35.
The idea was a two fold one - to prove that a hand stitched, hand embroidered smock was possible in a pretty tight window (15 days) and also to get a high neck smock to use during cooler events. Most of my chemises/smocks/shifts are all open around the neckline. This helps in the summer when it can get HOT at outdoor events but it's just not practical during the cooler events. I didn't want a partlet since they weren't always worn and they don't work with some of the gowns that have embroidered necklines (even if it's the linen ones, then you have to tie them beneath the arms and it's just more fuss. A high neck smock just made more sense).
High neck smocks appear all over Europe and they stay in Europe for over a century. There is this one from 1540 that I really loved and this one from a hundred years later. So, a high neck smock would go with a lot of different outfits from a lot of different eras.
I've sewn a chemise before by hand and knew how quickly that can go but I haven't really completed an embroidery project like this before. That was interesting. My five year old nephew declared the collar his when he saw it. I had to be disciplined to work on the embroidery a bit every day. It's far from perfect - the lines look like my five year old nephew helped with the sewing- but it does look neat. I used violet thread similar to the collar in this extant Italian chemise simply because I wanted something that would have high contrast against the white linen but also would look good with a variety of colors.
EDIT: I added a couple more pictures. One of the actual finished smock up on the dress dummy and the other of one of the neck gussets (you can see my finger in that photo for size). Edging the neck gussets was an interesting experience since they are so terribly small and triangular. Everything else on the smock is a rectangle or square, making edging very easy. Luckily, I had enough foresight to edge the neck gussets first. :-)
For the body of the smock, I used the selvage on both the hem and the shoulders - using the selvage is both period and practical. I couldn't sew the body together at the shoulders by edging it since the rest of the top of the smock makes up the gathered neckline - it would get messy quickly and there would be raw edges sticking out somewhere near a neck gusset. So, using the selvage, the fabric was still thin enough to gather at the neckline but wouldn't unravel at the shoulders without being rolled either.
I'm about an hour behind where I'd like to be right now. Saturday, I really didn't get a chance to sew much so I ended up getting way behind. All four roses on the not quite finished cuff are brought to you by the movie Despicable Me. The collar is done, one cuff is done, the other cuff has a little over an hour of work left on it. The shift is cut and I just need to sew straight lines - no going back over them like with embroidery- to finish this thing. We'll see how well I do...