Thursday, January 10, 2019

Colors the Peasantry wore in the Middle Ages and Renaissance Part One

So, I ran across a post on the superiority of chemical dyes over natural dyes that stated the lower classes didn't even have access to colors before chemical dyes.  ......  The individual honestly believes that everyone who wasn't rich or upper middle class only wore white, brown, and black before the 19th C.   Now, I put that up in the "we didn't have color before the 1930s.  Haven't you seen the old films?!?" category.  I just found it rather strange that anyone would actually believe that old joke.

To help put an end to the idea that peasant=boring, drab colors, I figured I'd put a new compilation together regarding colors in the middle ages and Renaissance.  Here's the first post to the series I did last time on fabric types and colors available in the middle ages and Renaissance.  In that, I went over what was available to show that, for the SCA, there really isn't such a thing as "that color didn't exist yet!!!!".   If you can document it, you can wear it.  I documented everything from hot pink to lime green and eye blinding yellow.

The difference this time around is that I'll explore a specific class in the medieval society to see what they were wearing.   Yes, the poor wouldn't have been wearing the expensive dyes but they weren't wearing monochrome either.  I'm looking at paintings, written evidence, and archeology to show what colors were possible. 


Now, I know a few people will say "paintings?! But those were highly stylized and meant to be pretty for the people viewing them, not true representations of life!"  However, I call bupkis on that idea.  First, there are just too many different illuminations and paintings that show colorful garments for the beggars and peasants that it just doesn't hold water. Second, as I will show with the archaeological and written evidence, the poor were wearing colorful garments.

St Stephen Distributing Alms by Fra Angelico, 1440's
Above is a popular motif in the middle ages and Renaissance - a saint distributing alms.  Any time a saint's life is shown, this is likely to show up at some point.  There are manuscripts, paintings, and drawings showing various saints handing out alms.  Since the alms are always being handed out to the poorest of the poor, it gives us a chance to look at their clothing. 

In the background, we can see the donor who commissioned the painting in a lovely green, with his hands in prayer.  However, in front of him are some examples of the poor in the mid 15th century.  The lady is wearing a peachy pink dress with a light blue scarf around her waist and arm.  The child in front of her is wearing a dusty mauve tunic.  Behind the lady is a poor man wearing a nice blue shade.   They may not be the brightest colors but they aren't monochrome either.

Saint Lawrence giving alms, Fra Angelico, 1450s
Just a few years later, the same artist depicted a different saint, Saint Lawrence, giving alms.   Here, one of the beggars wears a rather rich red. The little girl with the little boy to the right of the saint is wearing an old green dress.  The baby in his/her mother's arms on the left is also wearing green.  Although there are beggars wearing gray, black, and brown, there are also blues, greens, and reds.  Check out the guy wearing blue on the right's burgundy hosen.  Again, it might not be the best of colors but they aren't colorless either.

"Catherine of Cleves Distributing Alms" by the Master of Catherine of Cleves, circa 1440
Although the two paintings by Fra Angelico might have been considered a bit low key on the color, this one is anything but!  This illumination shows a lady wearing a worn green cloak, a rather nice rose pink hood, and a mauve dress.  The man begging besides her has on a very bright blue doublet and an orange boot.  In front of him is a guy with an older styled, patched up doublet in a light green with rose pink collar and cuffs.  These are nice, BRIGHT colors but given the holes and patches, they are all clearly beggars.

Saint Lucy giving Alms circa 1435

The gentleman at the front of the beggars may be wearing gray but check out the lady behind him!  She is wearing a rather nice wine purple with her black veil.  And the gentleman next to her?  A good orange outfit with a green cap.   Even the beggar wearing gray as blue hosen on.  These aren't boring colors.  They are very much dyed garments.

The Alms of St. Anthony', oil on wood painting by Lorenzo Lotto, 1542. Basilica dei Santi Giovanni e Paolo, Venice
This one is pretty much 100 years later than the others but, again, we see green on the bottom left and yellow, orange, and red.  Although there are some blacks and browns, the over all colors are pretty much like what, really, you'd see today on the street.  It's a good mixture. 

Now, the giving of alms isn't the only time we see the poor depicted in medieval and Renaissance artwork.  Another common theme is one of my favorites for other reasons: shepherds.  Anyone who knows me, knows about my love for Shepherd's huts.  Shepherds were not rich by any means; they were the working poor.  Often, they are shown in rags; but, mostly, they are shown in common, peasantry outfits.

I love these guys. Mister mis-matched hosen and his ruined hemmed shirt.  Look at what the shepherds are wearing.  Yeah, the one guy on the right is wearing gray...but with lots of red.  Mister mis-matched hosen has yellow, red, and blue.  He's wearing primary colors!  The lady in the back who has her shepherds purse with her is wearing a lovely shade of red as well.  Theses are not boring colors at all!

Heures à l'usage de Rome Bellemare, Noël (14..-1546). Enlumineur
In this, yes, the guy in the back is wearing boring brown and gray but the lady sheering the sheep certainly isn't.  She's wearing a lovely deep red and a blue overdress. 

Livre d'heures du Maître du Bréviaire de Jean sans Peur (Paris ou Bourgogne, vers 1413-1419
Again, some brown but lots of blues and reds.  This is pretty common through everything I've found - lots of blue and lots of red.  Other colors are less frequent.  There is a good reason for this and I'll show later in the writings and archeology of the period. 

MS M.1004, fol. 044v ca. 1420-1425
There is no question these guys are poor.  Look at the tatters the shepherd's clothing is in.  However, they have fabulous colors!  Pink, blue, yellow, and an orangy red as well as brown.  Another example of not boring colors. 

MS M.0179, fol. 076r ca 1480-1500
Tell me that isn't lavender purple the lady is wearing.  Again, blues, reds, and now lavender purple.  The shepherds are pretty colorful.

MS H.5, fol. 059v ca 1500
I had to include these guys too because more lavender purple but also that fabulous "dear me!" orange on the guy to the left. 

Despite the amount of evidence here that poor did not mean boring colors in the least bit, I know there will still be people who will claim "but these are paintings!  They are meant to be pretty!  It's not what was really worn!"   So, in the next post, I'll show some of the written evidence and the archaeological evidence of the poor wearing colorful garments in the middle ages and renaissance. 


Saturday, January 5, 2019

Christmas Dress

This is what I wore for Christmas Mass 2018!  :-)   The dress is out of a plaid silk and the jacket is out of black cotton velor.  The jacket closed well but it turned out the bodice of the dress was a bit too big and closing the jacket meant the neckline of the dress bunched up. jacket it is!


McCall's M6953 - The dress pattern
McCall's M7315  - The base to make the bolero


The only real changes I made to the pattern were to make the bodice an inch longer and make the skirt a bit fuller.   Other than that, the pattern is pretty much exactly the same.   I'm glad I made the bodice longer - it's a bit short and I could have probably gotten away with an inch and a half.   I wanted a full skirt because I have a lovely black petticoat to go with the dress. 

The dress is made out of silk I got from Fabric Mart a few months ago.   It was on sale for $9.99 a yard.   It was sold as dupioni, I think, but it's really more of a shantung.   The bodice is lined in striped white cotton and interlined in duck.  I didn't bother reading the directions - the pattern pieces are all pretty basic- so I don't know if the pattern calls for an interlining or not.  However, if you do make this pattern, having the interlining in a heavier material helps a lot.  The only notion I used for the dress was a 22" long black invisible zipper.


I wanted black velvet but the cotton velor was on sale so...cotton velor it is!  I used the dress pattern M7315 as a base because I loved the side dart and I am terrible at drafting side darts.  However, the pattern proved to be nothing but trouble.  I knew something was wrong when I looked at the sleeve.  The sleeve pattern for M7315 for a size 12 (I went up from my normal size because jacket) is only 14" across at it's widest point.  That's including the seam allowance.   Ummm.....

Yeah.  No.   My bicep is about 17" snuggly.  The shoulder (ie, going around the armpit and over the shoulder) is 19"~.  There was no way the sleeve would fit.  Still, I was curious if they meant this to be an off the shoulder number or something else was going on. 

The first mock up looked abysmal.  I couldn't fit it past the "end of the t-shirt sleeve" length on my arms.  I took the sleeve off figuring something like that would happen and marked the mock up with a new armsyce (it was a good inch and a half off).   The mock up already had the curved front and the solid back that should have worked.   It did but it was just a bit too short.

Once I made all the changes, I tried a new mock up and it looked like it would work.  However, I didn't try it over the finished dress.   Turns out that the neckline of the bolero would be too tight over the dress and cause a bunch of bunching.   I ended up leaving the bolero unhooked like in the photo.

The bolero is lined in what I think is a poly blend satin lining...thing?   It was €3 a meter at the thrift store and I think it was one of the Ralph Lauren fabrics so I didn't ask too many questions.  It's lining. 

Anyway, that was the last project of 2018!   Hopefully, I'll sew a lot more in 2019 now that the sewing room is pretty much finished.